Connecting across media & audiences
Publications
Mapping Movies is dedicated to continually reaching and growing audiences through published contributions in esteemed digital and traditional media.
2022
2022, Jeffrey Klenotic, “‘Big’ and ‘little’ Quo Vadis? in the United States, 1913-1916: Using GIS to map rival modes of feature cinema during the transitional era,” Images: The International Journal of European Film, Performing Arts and Audiovisual Communication, Vol. 32, No. 41, pp. 5-25, DOI: doi.org/10.14746/i.2022.41.01.
2020
2020, Jeffrey Klenotic, “Mapping Flat, Deep, and Slow: On the ‘Spirit of Place’ in New Cinema History,” TMG Journal for Media History, Vol. 23:1/2, pp. 1-34, DOI: doi.org/10.18146/tmg.789.
2020
2020, Jeffrey Klenotic, Book review, Richard Abel, Motor City Movie Culture, 1916-1925, Nineteenth Century Theatre and Film, Vol. 47(2), pp. 212-216, DOI: doi.org/10.1177/1748372720943978.
2019
2019, Jeffrey Klenotic, “Roll the Credits: Gender, Geography and the People’s History of Cinema,” A Companion to New Cinema History, Routledge, Daniel Biltereyst, Richard Maltby & Philippe Meers, eds., pp. 202-216.
2018
2018, Jeffrey Klenotic, “Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896-1917,” Cinema Outside the City: Rural Cinemagoing from a Global Perspective, Palgrave MacMillan, Daniela Treveri-Gennari, Catherine O’Rawe & Danielle Hipkins, eds., pp. 91-113.
2014
2014, Jeffrey Klenotic, “Space, Place and the Female Film Exhibitor: The Transformation of Cinema in Small Town New Hampshire During the 1910s,” Locating the Moving Image: New Approaches to Film and Place, Indiana University (Spatial Humanities Series), Julia Hallam & Les Roberts, eds., 44-79.
2013
2013, Jeffrey Klenotic, “From Mom-and-Pop to Paramount-Publix: Selling the Community on the Benefits of National Theater Chains,” Watching Films: New Perspectives on Movie-Going, Exhibition and Reception, Intellect, University of Chicago, Albert Moran & Karina Aveyard, eds., 189-208.
2011
2011, Jeffrey Klenotic,“Putting Cinema History on the Map: Using GIS to Explore the Spatiality of Cinema,” Explorations in New Cinema History, Wiley-Blackwell, Richard Maltby, Daniel Biltereyst & Philippe Meers, eds., 58-84.
2011
2011, Jeffrey Klenotic, “Where Is Cinema?,” contribution to multi-authored omnibus article, “Senses of Cinema-Going: Brief Reports of Going to the Movies Around the World,” Arthur Knight, Clara Pafort-Overduin & Deb Verhoeven, eds., Senses of Cinema, Issue 58.
2007
2007, Jeffrey Klenotic, “Four Hours of Hootin’ and Hollerin’: Moviegoing and Everyday Life Outside the Movie Palace,” Going to the Movies: Hollywood and the Social Experience of Cinema, University of Exeter, Richard Maltby, Melvyn Stokes & Robert Allen, eds., 130-154 (endnotes 416-422).
2001
2001, Jeffrey Klenotic, “‘Like Nickels in a Slot’: Children of the American Working Classes at the Neighborhood Movie House,” The Velvet Light Trap: A Critical Journal of Film and Television, Vol. 48, 20-33.
1998
1998, Jeffrey Klenotic, “Class Markers in the Mass Movie Audience: A Case Study in the Cultural Geography of Moviegoing, 1926–1932,” The Communication Review, Vol. 2, No. 4, 461-495.
1994
1994, Jeffrey Klenotic, “The Place of Rhetoric in ‘New’ Film Historiography: The Discourse of Corrective Revision,” Film History: An International Journal, Vol. 6, No. 1, pp. 45-58.